Features & System requirements
ACE: Any Cable Everywhere
Compact, clear, a careful selection of modules and semi-modular architecture makes ACE easy to learn. Simple but not simplistic. Compact but not limited. Clear but definitely not underpowered. With the ability to connect any output into any input, ACE is a powerful synth with tools and features ready for beginners or seasoned users.
- Semi-modular architecture (with default routing)
- Oscillators include pulse width modulation (PWM), sync, internal ring and cross modulation (FM)
- Polyphonic (up to 16 voices), duophonic or monophonic (retriggered or legato)
- Powerful glide options: constant rate or constant time, percentage range control, per-oscillator offset
- Up to 8 voice unison (stack) with +/−2 octave individual detuning
- 2 multimode analogue-style filters
- 2 ADSR envelopes with fall/rise, snap, singing option for authentic analogue-style voice triggering
- 2 LFOs with 0Hz to 20kHz frequency range (can be used as VCOs)
- 2 multiplex modules for signal mixing / crossfading, ring modulation, amplitude modulation etc.
- 1 syncable and loopable ramp generator
- Mixer with modulation inputs
- MIDI modulation and performance: wheels, velocity, pressure, key follow, gate, 2 user-definable MIDI CC
- Circuit bending options: slop, crosstalk, oscillator cap failure
- 3 effects: chorus/phaser (4 types), delay (7 fixed options), bass and treble controls
- Multichannel MIDI support
- Resizable UI from 70% to 200%
- Over 920 factory presets
- NEW in v1.4.2: Support for Oddsound MTS-ESP
Cables anywhere and everywhere
ACE takes after hardware modular synthesizers, although it is not a truly modular design, more correctly it is semi-modular. ACE has a default fixed architecture (like for instance the ARP 2600), which means you can start making noise immediately ‘out-of-the-box’. Any default routing can be overridden by patching cables, which means that the options are practically limitless.
ACE does not differentiate between audio signals and control signals. Any of the outputs can be plugged into any of the signal inputs. Hook things up, explore new ideas and crazy combinations. Try LFOs as audio oscillators or a VCO as LFO. Plug an LFO into a filter, then use the filter as an FM source for an oscillator.
Sound experimentation awaits, limited only by your imagination… and dinner time.
The “boxes and cables” philosophy of modular synthesizers gives you the freedom to create your own custom instruments. Once you start connecting the sixteen modules in ACE—exploring new combinations, cross-pollinating ideas—the vast potential of modular soon becomes clear.
The two VCOs act as the main sound generators, but as ACE does not differentiate between audio and control (modulation) signals, the full-range LFOs can also be used to generate audio frequencies.
ACE’s oscillators are modelled on analogue circuits, including instabilities and various non-linear characteristics. You can push these characteristics further using the Circuit Bending options.
If the bottom end needs beefing up, try adding the sub-oscillator. For more intense, complex sounds, try VCO2’s ring modulation, sync and cross modulation.
An array of output sockets provide signals from a variety of different sources: noise, MIDI controls (modwheel, velocity etc.), mapping generator and more…
Use these to add organic life-like dynamics, modulation and refinments your sounds.
Add final touches using the global effects. Pick from a classic stereo chorus with four modes (including phaser) to add richness, a stereo delay with seven immediately selectable modes to add movement, and finally a pair of controls to boost treble and bass.
If the two ADSRs and two LFOs are not enough, try the host-syncable Ramp Generator (essentially a trapezoid, which combines elements of both).
Common to most modular setups, multiples are mix/split devices. Signals are merged and sent onward, or split and sent to different inputs. In ACE the multiples do act as a simple mixer, or can be enlisted for much more interesting possibilities. That is why we renamed them Multiplex. Using the modulation input and some clever cable arrangements, the Multiplex modules can do ring modulation (RM), amplitude modulation (AM) or both at the same time. Or crossfading or inversion…
Without envelopes, your patches would just turn on and off with each note, organ style. Envelopes add dynamics over the length of the note. ACE has classic ADSR envelopes, but with a few extras directly available for more interesting results: Snap, fall/rise, level modulation, rate modulation, velocity. The envelopes can be further with modified in the Envelope Tweaks section. Switch on the singing envelopes for classic analogue retriggering behaviour, or adjust the fall/rise limits.
- Mac OS X 10.10 or newer
- Windows logoWindows 7 or newer
- Linux logoLinux
Host software / DAW
- 1GB RAM, more recommended
- 50MB free disk space
- 1000 × 600 or larger display
- Modern CPU required:
- Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
- Mac: Intel Nehalem or newer, Apple M1
- Linux: glibc version 2.28 or newer
Ace is not a standalone product, it requires host software. Repro is compatible with nearly all DAWs.
- AUv2, VST2, VST3, 64-bit only
- temporarily no AAX (read more)
- VST2, VST3, AAX*
* AAX requires Pro Tools 10.3.7 or later
I WISH is a note freezer plug-in. When a note is pressed, the plug-in plays a short loop in the pitch of that note. This enables the creation of unique robotic vocal effects, musically tuned stutter effects even realtime wavetable synthesis.
I WISH is Infected Mushroom's first plug-in release.
The oscillators, filters envelopes closely model components found in some of the great monophonic polyphonic synthesizers of yesteryear. Modules can be mixed matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound.